Zachary Ingle

Zachary Ingle

both my teaching and research focus on film history and theory. i fell in love with film as an undergraduate and enjoy sharing that passion for the medium with my students. i received my ph.d. in film and media studies from the university of kansas, writing my dissertation on robert rodriguez and changes in the post-1990 american independent cinema landscape. my myriad film interests allow me to teach across the film studies curriculum. although most of my work is concerned with american cinema, i have been published in books devoted to french, japanese, israeli, belgian, swedish, australian, czech, chinese, and spanish cinemas as well. i love building a local film culture and enjoy serving on film festival committees. current projects include a book on superhero film and television. i love teaching at hollins where i can teach bright students who are eager to learn!

Areas of Expertise

  • African American cinema
  • Film and religion
  • Sports films
  • Authorship in film
  • American independent cinema

Courses Taught

  • Introduction to Film as Art
  • The Horror Film
  • African American Directors
  • American Cinema
  • World Cinema
  • Japanese Cinema
  • Disney/Miyazaki
  • Film Theory
  • Film and Censorship

Education

  • Ph.D., (film and media studies), University of Kansas
  • M.A. (English and African American literature), North Carolina A&T State University
  • M.Div., Baylor University
  • B.A., Howard Payne University

Publications & Articles

  • “Two Israelis in the ‘Mecca of Motion Pictures’: Golan, Globus, and Cannon Film’s Transnational Enterprise.” In Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema. Eds. Rachel S. Harris and Dan Chyutin. Bloomington: Indiana University Press (forthcoming in 2021).
  • “ʻAnimation is Built on Plagiarism’: The Simpsons and Hitchcock, Parody and Pastiche.” In The Simpsons’ Beloved Springfield: Essays on the TV Series and Town That Are Part of Us All. Eds. Karma Waltonen and Denise Du Vernay. Jefferson, NC: McFarland, 2019: 143-159.
  • “ʻA full meal, with a vitamin pill and extra wheatgerm’: Woody Allen, Dostoevsky, and Existential Morality.” In Referentiality and the Films of Woody Allen. Eds. Klara Stephanie Szlezák and D. E. Wynter. New York: Palgrave Macmillan, 2015: 119-136.
  • “Performing Marilyn: Michelle Williams in My Week with Marilyn.” In Fan Phenomena: Marilyn Monroe. Ed. Marcelline Block. Bristol, UK: Intellect, 2015: 94-104.
  • “The Border Crossed Us: Machete and the Latino Threat Narrative.” In Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: University of Texas Press, 2015: 157-174.
  • Edited Book: Fan Phenomena: The Big Lebowski. Bristol, UK: Intellect, 2014.
  • “Robert Rodriguez’s Spy Kids 3-D: Game Over and the 3-D Resurgence,” Post Script 33 (Sum 2014): 17-28.
  • “Football and Arab-American Identities in Fordson: Faith, Fasting, Football,Journal of Sport History 41 (Sum 2014): 233-240.
  • Edited Book: Identity and Myth in Sports Documentaries: Critical Essays, co-edited with David M. Sutera. Lanham, MD: Scarecrow Press, 2013.
  • Edited Book: Gender and Genre in Sports Documentaries: Critical Essays, co-edited with David M. Sutera. Lanham, MD: Scarecrow Press, 2013.
  • “Jediism as Religion?: The Force as Old/New Religious Philosophy.” In Fan Phenomena: Star Wars. Ed. Miko Elovaara. Bristol, UK: Intellect, 2013: 60-67.
  • Edited Book: Robert Rodriguez: Interviews. Jackson: University Press of Mississippi, 2012.
  • “ʻWhite Fear’ and the Studio System: A Reevaluation of Hansberry’s Original Screenplay of A Raisin in the Sun,” Literature/Film Quarterly 37:3 (2009): 184-193.